HEAD TRAUMA - - a look at the past year

Thanks

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[[the DVD]]\n[[film festival]]\n[[a new trailer]]\n[[what the fans say]]\n[[what the critics say]]\n[[theatrical release]]\n[[production notes]]\n[[national press]]\n[[web shorts]]\n[[extras]]\n[[links]]

- a look at the past year

HEAD TRAUMA

\n\nSpecial thanks to everyone who has supported HEAD TRAUMA over the last few years. It has been a wild ride so far. From the production to the distribution, there are so many people who have helped to make HEAD TRAUMA a success.\n\nSince so much has happened over the course of the last year, I've decided to do a virtual wrap up of sorts. \n\nThanks again for all your support,\nLance Weiler\ndirector / co-writer \nHEAD TRAUMA\n\n\n\n\n

\n\n<html><h2>"HEAD TRAUMA is a razor-sharp psycho-thriller" - Philadelphia Inquirer</h2></html>\nIsaac Mell cut the following trailer for use at the AFM (American Film Market). All told it has been viewed about 200,000 times over the last few months. \n\n<html><embed controller="true" width="320" height="256" src="http://headtraumamovie.com/data/generic_site/headtrauma/media/trailers/HTsoon.mp4" autoplay="true"></embed></html>\n\nIf you can't view the quicktime here is a [[trailer - flash version]]

\n<html><h2> An alternate soundtrack - released nationwide</h2>\n\n<img src="http://www.parkthevan.com/img/cursed_280x280.jpg"></html>\n\n“CURSED the HEAD TRAUMA music project” begins, right at the point where George’s nightmares cross over into his reality. Features music from Bardo Pond, Dr. Dog, The Capitol Years, National Eye, Brian Mc Tear & Bitter Bitter Weeks, Steve Garvey (the Buzzcocks), BC Camplight, The A Sides, Awol One, Greg Weeks (Espers), and many more.\n\nReverse the curse – line up the soundtrack with the Head Trauma DVD for a special soundtrack experience.\n\nSync to this frame which is in the 6th chapter. 00:31:34\n<html><img src="http://www.parkthevan.com/img/cursed/300x190.jpg"></html>\n\n<html><h2> Record Release Party in Philadelphia</h2>\n<img src="http://lanceweiler.com/flyer.jpg"> <img src="http://static.flickr.com/86/269476149_af50c088d3_m.jpg"></html>\n\nOn October 7th, HEAD TRAUMA was scored live by Bardo Pond during a special record release party in Philadelphia. \n\n\n<html><h2 id="post-13">An interactive online comic</h2>\n\nFebruary 2006, saw the launch of the official web site, an interactive comic that took over 7 months to create. There are numerous things hidden under the surface, including two additional hidden sites. \n \n <p><a target="_blank" href="http://headtraumamovie.com"><img alt="web comic" title="web comic" src="http://htmob.com/thanks.jpg" /></a></p>\n\n<p>The official website for <a target="_blank" href="http://headtraumamovie.com">HEAD TRAUMA</a> is an interactive web comic with a number of interesting things hidden under the surface. Designed by <a target="_blank" href="http://sparkart.com">sparkart</a>, each page of the comic was hand drawn, inked and colored.</p>\n<p><img src="http://lanceweiler.com/presskit/wp-content/uploads/2006/04/comic3panel.jpg" />\n</p></html>\n\n

\n\n<html><h2>"Works its way under the skin." - LA Weekly</h2>\n\nThe world premiere of HEAD TRAUMA, took place at the prestigious <b><i>LA Film Fest</b></i> in June. The movie screened as part of the DARK WAVE section of the festival. During its two screenings about 800 people were in attendance.\n\n<p>HEAD TRAUMA also had screenings at the <b><i>Darklight Film Festival</i></b><html> in Dublin, Ireland and the <b><i>Mar Del Plata Independent International Film Festival</i></b> in Argentina.</p>\n<br>\n\n<html><img src="http://static.flickr.com/72/206214672_75905dbcff_m.jpg"><img src="http://lanceweiler.com/blog/wp-content/uploads/2006/06/laffinvert.jpg"></html>\n\nWrite up from the LA Film Festival catalog:\n\nSeriously creepy and deeply unnerving, HEAD TRAUMA explores the uncomfortable notion that just because a person may be paranoid, doesn't necessarily mean that someone - or something - is not actually out to get them. In this engrossing chiller, drifter George Walker returns after many years to stake a claim on his deceased grandmother's abandoned house. Struggling to build some semblance of a normal life for himself, George tries to clean up the place by day. But his nights are uneasy and plagued by troubling visions of a mysterious hooded figure. Despite his best efforts, things grow worse as the house is condemned and his nightmares refuse to remain in the dark.\n\nPropelled by a wildly implosive lead performance by Vince Mola, who alternates between tenderly sympathetic and bullishly repellent, HEAD TRAUMA is the latest unsettling entry in the revitalized independent horror scene. Writer / Director Lance Weiler and co-writer Brian Majeska have crafted a film that is difficult to pin down, making every twist a slippery and unexpected surprise. Combining much of the spooky imagery from the recent Japanese horror explosion with a distinctly 70's horror feel, HEAD TRAUMA is a disturbing look into the dark corners of American small-town life.\n\n

\n<html><h2>"Revives the monster of the id to great effect." - Movie City News</h2></html>\nhttp://www.hereticfilms.com DVD label releasing HEAD TRAUMA \n\nhttp://www.headtraumamovie.com the official movie site\n\nhttp://www.htmob.com/blog the official movie blog\n\nhttp://www.myspace.com/headtraumamovie HT myspace page\n\nhttp://www.lanceweiler.com the official director's site\n\nhttp://www.lanceweiler.com/presskit an online press kit for head trauma with hi-res artwork etc.\n\nhttp://www.thelastbroadcastmovie.com official site of Lance's first feature \n\n<html><h2> Additional HEAD TRAUMA media coverage</h2></html>\nOver the last year HEAD TRAUMA has received a decent amount of media coverage. For a collection of links to the stories click <html><a target="_blank" href="http://del.icio.us/HTmob/news">here</a>.</html>

\n<html><h2>National Coverage</h2>\n\n<b>Nov.</b><br>\nMillimeter Magazine<br>\nRue Morgue\n<br>\n<br>\n<b>Dec.</b><br>\nMoviemaker Magazine<br>\nFlaunt \n<br>\n<br>\n<b>Jan.</b><br>\nCreative Screenwriting<br> \nDV Magazine<br>\nVideocope<br>\n<br>\n<b>Feb.</b><br>\nVideo Watchdog<br>\nFast Company<br>\nFilmmaker Magazine<br>\n</html>

\n\n<html><h2>The making of a truly independent film</h2></html>\n<html><img src="http://hereticfilms.com/genre/films/headtrauma/images/still_01.jpg" width="250" height="109"></html>\n\nHEAD TRAUMA is an ambitious independent film that has aerials, underwater sequences, stunts, cable-cam shots through treetops, and a flooded basement where something sinister hides beneath the dark water. Like THE SHINING and JACOB’S LADDER – HEAD TRAUMA shows the journey of a man who is attempting to make sense of his surroundings while struggling to save his soul.\n\n<html><img src="http://hereticfilms.com/genre/films/headtrauma/images/still_05.jpg" width="250" height="109"></html>\n\nTHE HOUSE\nAfter looking through more than 60 abandoned houses we selected the Prescott house. You would not believe what we saw in some of the abandoned houses. From rotting food to blood stained walls to rooms full of fecal matter, many felt like tombs. The most haunting aspects of any of the houses were all the items that where left behind. Piles of clothes, shoes, kids toys, papers, pills, bizarre photos, drawings, journals, records, bills, needles, and bullet casings. In most cases it looked like whoever was in the house had left in a hurry, running away from something. Prescott was selected for all its open space and natural light, plus it was the least offensive in terms of smell. It sits back away from the street and has an amazing view of the mountains that surround the valley.\n\n<html><img src="http://hereticfilms.com/genre/films/headtrauma/images/still_04.jpg" width="250" height="109"></html>\n\nTHE CONCEPT\nThe concept for HEAD TRAUMA stems from two unrelated events in my life. The first was a head on collision that left me in intensive care and erased a number of days from my memory in 1994. The second seems a little more abstract in its connection to HEAD TRAUMA but nonetheless is very important. For a little over two years I worked to get a TV show that I co-created off the ground with a major network. We eventually got to shoot a pilot, which tested well, but never got picked up. Soon we found ourselves in development hell. The process reminded me of the five stages of grief: Denial, Anger, Bargaining, Depression and Acceptance. So I decided to incorporate the five stages of grief into the script for HEAD TRAUMA. They provide the backbone to the story, which plays out over five days. Each day represents a different stage of grief.

\n\nThis past fall HEAD TRAUMA was released on DVD nationwide. The DVD has received some amazing reviews from both critics and fans. We were even able to setup a national promotion with Best Buy, which gave our little movie the same type of promotions that are usually just for studio titles. \n\nThe following is a sales sheet we used to help sell HEAD TRAUMA...\n\n\n<html><h2>Special DVD Collector's edition with over 2 hours of special features!</h2></html>\n<html><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://lanceweiler.com/htbox6.gif"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px;" src="http://lanceweiler.com/htbox6.gif"/></a>\n<br>\n<ul><i>Audio commentary by director Lance Weiler</i><br><br><i>SIX FEATURETTES</i><li>Cast interviews</li><li>Blowing up a car on a tight budget</li><li>Shooting in the house (working in a haunted condemned structure)</li><li>Johnny Magdic and his Amazing Flying</li><li>Comics veteran Stephen R. Bissette discusses the art of HEAD</li><li>Behind the music of HEAD TRAUMA</li><br><li>A SPECIAL COLLECTOR'S edition eight-page booklet with original art </li><li>Bissette and liner notes by GRUDGE screenwriter Stephen Susco</li><li>Trailers HEAD TRAUMA and Weiler/Stefan Avalos’ THE LAST BROADCAST</li><li>An Easter egg or two</li></ul></html>\n\n

\nHEAD TRAUMA had theatrical screenings all across the country this past summer and fall. We hit 17 cities across the country over the course of 6 weeks.\n\n<html><img src="http://static.flickr.com/92/233485283_141000cd42_m.jpg"> <img src="http://static.flickr.com/85/233491609_4581274560_m.jpg"> <img src="http://static.flickr.com/79/269765135_6f30306fa8_m.jpg"> \n\n<img src="http://static.flickr.com/95/244972927_2cb9ef030d_m.jpg"> <img src="http://static.flickr.com/85/233491607_7260e3bafc_m.jpg"> <img src="http://static.flickr.com/89/269765121_fae1c2c777_m.jpg"> <img src="http://static.flickr.com/90/233480719_eaefa2d93d_m.jpg"> <img src="http://static.flickr.com/110/269471387_10a5781371_m.jpg"> <img src="http://static.flickr.com/98/233480717_8bedb1ffbb_m.jpg"></html>\n\n

\n<html><h2>"HEAD TRAUMA elicits effective creeps." - Ain't it Cool News</h2></html>\nThis past summer we created a number of short web films to help promote HEAD TRAUMA online. A total of six were made and they can be found all over the web. The following is a sample of one.\n\n<html><embed controller="true" width="320" height="256" src="http://lanceweiler.com/epk/indie.mov" autoplay="true"></embed><br />\nDirector Lance Weiler discusses the making of HEAD TRAUMA</p></html>\n\nIf you can't view the quicktime here is a [[epk - flash version]]

\n\n<html><h2>WHAT CRITICS ARE SAYING ABOUT "HEAD TRAUMA"</h2></html>\n"Any number of big-deal filmmakers - M. Night Shyamalan, for one - would be well-served by a viewing of the low-budget Head Trauma. ...this simple and effective psycho-thriller creates a mood of dread and dissociation, and sustains it, without resorting to elaborate special effects, or a colorful crowd of actors, or otherworldly mystical hooey." 3 out of 4 stars\n- PHILADELPHIA INQUIRER\n\n"This effective, atmospheric chiller seeps into your fear center like damp rot. Writer/director Lance Weiler makes Grandma's crumbling house a vivid symbol for George's fractured consciousness, and Vince Mola, a Paul Giamatti type with talent to burn, makes the protagonist both disturbing and sympathetic. The result is a smart, goosefleshy psychological jigsaw puzzle." 3 out of 4 stars\n- MINNEAPOLIS STAR TRIBUNE \n\n"I'm giving this film my first ever 10 and have to say the hopes and dreams of the great American horror are now on Weiler's shoulders."\n- CINEPHELIA.COM\n\n"With his second outing, Weiler proves himself a seriously skilled director. His tone has much in common with the recent spate of Japanese horror films. There's the emphasis on atmosphere, the sad, restless ghosts of the past, the jittery camerawork. It's a wonder Hollywood hasn't snapped him up to helm one of the countless J-horror remakes taking place stateside (The Ring, The Grudge, Pulse). It's almost depressing to think what Weiler could have done with the recent revision of Kiyoshi Kurosawa's 2001 chiller Pulse."\n- THE ALIBI\n\n"HEAD TRAUMA will leave you scratching yours in the midst of a fantastic, scary ride that leaves no unanswered questions and does its job with the utmost competence and sheer unalloyed glee."4 stars\n- FILM THREAT\n\n"In this game melding of the conventions of the modern Japanese ghost story with those of the standard American amnesia melodrama, writer-director Lance Weiler delivers a fair number of chills, a modicum of thrills and some downright nifty pyrotechnics. Tracing the doomed efforts of its whiny protagonist (Francis Coppola look-alike Vince Mola) to salvage the run-down and apparently haunted house he..s inherited from his grandmother, Head Trauma unassumingly works its way under the skin, raising neck hairs while teasing us to pry open its psychological puzzle box of unpaid pipers and arrested development."\n-LA WEEKLY\n\n"The growling, hooded figure which dogs George through the story is an absolutely terrifying apparition, perhaps the simplest and most haunting monster to grace a movie screen since the debut of Freddy Krueger in the original "A Nightmare On Elm Street."\n- BLOODY DISGUSTING\n\n"One of this year's touchstones... Demonstrating once again that ingenuity and invention are more important than millions of dollars in budget, Weiler most effectively works within the confines of the dark house. As more and more unsettling things start to happen, it's almost as though the house were growing into a full-fledged, recently awakened character that is not sure what it wants to do when it sees that it's under attack... Head Trauma creeped me out."\n- TWITCHFILM.NET\n\n"A slick, original, attention-grabbing feature... pushes the medium to the edge of its artistic bounds."\n- ALBUQUERQUE WEEKLY\n\n"Horror outing that revives the under appreciated monster of the id to great effect."\n- MOVIE CITY NEWS\n\n"This independent production is the best horror movie I've seen in years. Horror fans will catch hints of Polanski's Repulsion and the better new Asian horrors, but the film isn't at all derivative. Compared to filmmaker Lance Weiler's first feature, the underrated Last Broadcast, Head Trauma is more focused and tighter. And, most important, where so many horror films these days arrive at murky endings that seem to have been created by a committee, this one is completely logical and satisfying."\n- MIKE MAYO (Video Hound Dog, Washington Post)\n\n"You know the ones: Jacob's Ladder, 12 Monkeys, even Lost Highway. Head Trauma is a solid induction into these halls of creepy mindfucks."\n- THE PORTLAND MERCURY\n\n"Elicits effective creeps. A well executed haunted house exercise that treads the psychological vs. supernatural line."\n- AIN'T IT COOL NEWS\n\n"This moody indie shocker from writer-director Lance Weiler (The Last Broadcast) walks a careful line between austerity and excess. Some of its hauntingly understated images- an old army tent erected in the gutted-out living room, a submerged cardboard box bubbling in a flooded basement- clash with nightmare visions dominated by a faceless ghost that pushes Walker to the edge of insanity. Like Neil Marshall (The Descent), Weiler is both an impeccable craftsperson and a reverent genre fan, his low-lit digital-video interiors, excellent sound design, and rigorous lack of irony breathing life into the somewhat tired concept. Though Head Trauma has at its core a dark and shocking secret, the real mystery is why a director as promising and talented as Weiler would be limited, at least for now, to the DVD market."\n- CITY PAGES\n\n"Incredibly creepy... good re-creation of 70's horror."\n-TUCSON WEEKLY\n\n"Fright classic... surprisingly effective chiller."\n- THE OREGONIAN\n\n"HEAD TRAUMA is completely pro. From packaging to film quality to the movie's website, it seems like there was big money behind this film."\n- LOCAL IQ \n\n<html><h2> Additional HEAD TRAUMA media coverage</h2></html>\nOver the last year HEAD TRAUMA has received a decent amount of media coverage. For a collection of links to the stories click <html><a target="_blank" href="http://del.icio.us/HTmob/news">here</a>.</html>

\n<html><h2>WHAT PEOPLE ARE SAYING ABOUT HEAD TRAUMA</h2></html>\nFROM IMDB\nA horror movie that makes sense?? Madness!, 27 August 2006 \n9/10\nAuthor: luvcraft from Albuquerque, NM\n\nHead Trauma is about a man who suffers a head trauma while cleaning out his grandmother's condemned house, which results in bizarre nightmares that begin to bleed over into the waking world.\n\nVery well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end. \n\n-----\n\nWell-done Low Budget Indie Spooker, 9 October 2006 \n8/10\nAuthor: Christopher T. Chase (cchase@onebox.com) from Arlington, VA.\n\nDirector Lance Weiler and his co-writer, Brian Majeska, obviously love ghost stories. And it shows in their movie HEAD TRAUMA, because you can spot all the scenes from other popular creepy ghost stories like THE CHANGELING, THE GRUDGE, THE RING and even...GHOST STORY. But the difference between TRAUMA and any other shoestring-budgeted effort that would simply rip off those other films, is that Weiler has a strong visual sense, and a clear vision of how to tell the story in a way that makes perfect sense. He also fortunately has a pretty darn good cast to get the audience involved.\n\nHomeless drifter George Walker (Vince Mola) finally returns to his late grandmother's house, once he learns that it has been condemned and will soon succumb to the wrecking ball. A not-too-friendly meeting takes place between George and Julian (Jamil A.C. Mangan), resulting in a bad fall for George in which he sustains the titular injury. Julian is then volunteered to help with cleaning the house by his grandmother, Ms. Thompson, (Meryl Lynn Brown), the former next-door neighbor to George's grandmother.\n\nBut what is already a difficult task is about to get a lot harder, as George, who is now staying in the house, begins to experience some pretty vivid nightmares. Haunted by visions of a sinister hooded figure, the hanging body of a dead girl and a fiery car crash, George is beginning to question his own sanity. Has something terrible happened in the house since his grandmother's death? Is someone trying to send him a message from beyond the grave? Is it the work of an antagonistic neighbor who wants to see the house destroyed? Or is George really losing his mind? HEAD TRAUMA draws you in and challenges you to answer these questions as George tries to, leading up to an ending that may either satisfy your curiosity, or present more questions to be answered, depending on your point of view.\n\nIn any case, it's a very strong effort from Weiler, and one I would definitely recommend for lovers of good, ghostly mysteries with a twist. \n\n------------------\n\nFROM AMAZON\n2 of 2 people found the following review helpful:\n<html><img src="http://ec1.images-amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif"></html>\nThe New Carnival of Souls, October 10, 2006\nReviewer: Nick Tropiano (Havertown, PA United States) - See all my reviews\n(REAL NAME) \nThis is one terrific, well-crafted little horror entry. If you are a true fan of horror films definately check this one out. This is especially true if you're a fan of "old school" Mario Bava, have seen the original Haunting of Hill House, and couldn't resist picking up Carnival of Souls for $8.00 at the DVD bin at the supermarket. This film pays attention to atmosphere like no film since the days of Mario Bava. In no other film since Hill House has the house itself truly become a character, and in no film since Carnival of Souls has a horror film more effectively straddled the line between surrealism and realism or kept you guessing throughout without frustrating you. Head Trauma is a successful fusion of all these elements - Bavaesque atmosphere, Carnival of Souls real/surrealism, and with a "prop" that takes on a life of its own like Hill House. But it's no rehash, Head Trauma is truly an original in its own right.\n\nI would liken Head Trauma most to Carnival of Souls, the surreal no-budget early-60's cult classic made with a local cast of unknowns Like Carnival of Souls, Head Trauma displays a quality that belies its budget, displays shoestring resoucefulness in spades, and is more original and imaginative than the last ten major horror releases combined. I like Carnival of Souls - a lot. And I like Head Trauma for the same reasons. Both Head Trauma and Carnival of Souls are centered around loner types tormented by a demon figure. Both films are simultaneously waking dreams and a mystery. Both somehow successfully fuse experimental technique with realism. And both films use the media on which they were shot - grainy high speed low-contrast black and white film for Carnival of Souls, and in the case of Head Trauma, digital video, to their advantage. Also, both films feature excellent performances by skilled but unknown actors. At no point is the illusion broken by thinking "poor Johnny Depp". We know these people and the neighborhood they reside. No beauty queens, no dashing hunky stars, no cliched heros or villiams - real people, in a real setting, placed in an entirely believable context result in an illustion that absorbs without distraction, never asks for excessive latitude, nor ever slips into camp or unbelievability. Set against a highly believable "everyday" backdrop, the horror has far more impact than the ineffective excesses of uncreative, unoriginal, unbelievable, slasher films like those featuring recognizable professional wrestlers as villians. The time of Halloween rip-offs and cannibal zombie films has long since ended. It's high-time that a filmmaker with vision ala George Romano, ala John Carpenter, came along and breathed some life into this genre. And usually these films that re-invigorate horror come out of nowhere, and are shot on a shoestring. The pattern is they don't "get their due" upon release, but like any monster worth its salt(?), they never seem to die. Word of mouth spreads, and the hype they receive isn't "hype", rather, it's sincere praise that "hype" tries to mimic with million dollar PR campaigns. What I'm saying is Head Trauma is "the real deal". It's a film you "tuck away" for repeat viewings. Lend it to close friends who you're sure will give it back. A film you think about long after you've seen it. A film you revisit by replaying scenes in your mind, or by simply watching it again, outright.\n\nDon't expect over-the-top excessive blood-letting and a huge body count. If a big body count, excessive graphic gore, standard shock cuts, and over the top violence is your bag, look elsewhere. If you are interested in a literate script, a novel and believable concept, dream-like surrealism worthy of Carl Dreyer, unnerving and subtle sense of dread, a story that grabs you as well as any well-executed mystery, and a logical uncontrived truly suprising surprise ending that neatly and logically ties things up = resolves the mystery, but doesn't try to beat you over the head, then this is your film.\n\nThe only distraction is at times the media on which this was shot - digital video, betrays the excellent work of the cinematographer and director despite best efforts. Digital video just isn't "there" yet but it's improving, especially in skilled hands. That said, these few gaffes are more than compensated for by some rich, atmospheric, and truly brooding camera work and inspired "cinematic" direction. I've not seen a film shot on DV as cinematic as Head Trauma, much of the time its indistinguishable from film, and when it's not, it's usually not distracting, however there are gaffes at times that result in fleeting but jarring distractions that breaks the cinematic flow of the film. These few scenes stand out all the moreso due to the overall excellent production values and care put into this production.\n\nAs a horror fan who has endured his share of unwatchable dreck, it's nice to stumble upon a gem from time to time. This is one of those gems. And it's these unexpected gems that makes it worth the risk and the time.\n\nLike Carnival of Souls, I expect this film will stand the test of time, develp its own cult following, and rise above the din to take its place among the more memorable entries in the genre.\n\nGood show. \n\n------------\n\n<html><img src="http://ec1.images-amazon.com/images/G/01/x-locale/common/customer-reviews/stars-5-0.gif"></html>\nSpooky Movie!!, October 15, 2006\nReviewer: Medic "twilighteye" (Scranton, PA USA) - See all my reviews\nThis is your good ole' spooky house movie! The house in the movie is spooky, both inside the house and outside are eerie! No special effects or big name stars. This movie is a good old fashioned spook fest that takes you from the basement to the attic of a house.\n\nThe movie was shot in spooky Scranton, PA! \n\n\n